This, however, only happens in the off, we only see the frozen crew. And the shocked Uhura only reacts after the second time. Admiral Kirk says that they can only hope that there are creatures on board whose power of judgment is equal to ours.Īdmiral Kirk gives the order twice to turn off the monitor. Now, the DC lacks the remark from Admiral Kirk when he says that they suppose that there is some strange airplane beneath the clouds.Īnd once again, something is missing in the DC. In the DC right after the accident with the transporter the line from William Shatner (as Admiral Kirk) is missing: "Oh my God" Nichols (as Nyota Penda Uhura) responds that the chances to return safe from this mission have just doubled up. He says that he has been there since they got the new equipment. George Takei (as Hikaru Sulu) says that he (Kirk) wanted them back and that he he got them.Ī member of the crew expresses his concern and asks about Captain Decker. In the right more airfields can be seen and the entire location of the base seems to have been relocated because the background shows more of the coast and the bridge.Īdmiral Kirk has just left the bridge. This is also being used for a longer sequence of the shuttle flight.įor the DC, the shuttle-base got a makeover.
Here, the surroundings of San Francisco look more futuristic. Here, we get to see a close up of the United-Federation-of-Planets-logo, instead. The flight of the shuttle past the Golden Gate Bridge is noticeably shorter. We are on earth, near the space navy commando near San Francisco. In the Theatrical version the altar that Leonard Nimoy (as Spock) approaches looks like this. In the Theatrical version Vulcan still looks like this. The DC contains the same dialogue but shows more images of the Klingons and the cloud. The tell him about the cloud and the Klingons. In the Theatrical version we see those two with their supervisor. 2 crew members observe the radio transmission of the Klingons with the cloud. While the Theatrical version shows us two people in open space, the DC makes it clear that it is the same person. Then away from us, in the next shot he is approaching us. Here, we see a crew member approaching us and in the next scene we see another one rising from beyond and moving away from us. In the Theatrical version the order is different. In the foreground a crew member in a spacesuit can be seen. After that, the Paramount-logo is being shown. We only see the almost empty space and just a couple of stars that pass by. The Director`s Cut begins with an overture to give us the right mood.
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